The Lyric as Inquiry
A sustained practice since 2016. The poems here are kept as manuscripts — annotated, dated, and presented in the order they were written.
Ode to Anamnesis
before it remembers itself—
the place where the name lived
before the name was spoken,
and the wound was a window
that would not close.
recovered, the soul
that arrives already knowing
what it has not yet seen,
the cup of ice
that was always cold.
In the kitchen at three,
in the bus between two silences,
in the field where my grandmother
was a girl before
she was my grandmother.
Not the face, not the door.
The light that fell
across the hand that opened it,
and the ambrose of the breath
that stopped to listen.
It is the rehearsal
of a return
the body has not yet made—
the small resurrection
of a thing never lost.
in the country I am in
so that the country I came from
will know I have not
forgotten the way
to leave it again.
The word itself is a homecoming,
a long O,
a door in the floor
that opens
into the floor.
Stanza 4: ambrose — perfumed oil; here used as a small word for the fragrance of attention.
Stanza 7: the long O of anamnesis as a doorway in the floor — the Greek word is a room one falls into.
Originally drafted in 2016 as a fragment; revised through four drafts; the present version is from 2024. The ambrose image survived all revisions. The Homeric reading changed the framing but not the image.
- Heart of Ilium — 2023
- Algea — 2024
- Liminal — 2025
- The Quiet Hour — 2022
- On Reading Homer in Translation — 2023
Smudge
A curation of art we believe are staggering — ten paintings, from Haring's Crack is Wack to Botticelli's Map of Hell, read for what their form is doing.